Post by account_disabled on Mar 4, 2024 8:01:54 GMT
The National Theater collapsed. We have his grave in the center of Tirana as a fresh grave. I am not one of those who believe that he can be resurrected as he was, and where he was, although such a thing is still possible and I would very much like it to happen. I don't think, either, that we should continue to mourn him endlessly. That would do no good. It would only give Edi Rama new opportunities to make fun, as he made fun of last time in the hall of the Parliament of the Republic, when he announced that, yes, the Theater will be built exactly as it was, but somewhere else (we have the project , he said) and will serve as a puppet theater. The next plenary session of the Parliament, he will, for sure, find another variant of mockery on this topic.
Because that's how our Prime Minister is. Any disagreement Cambodia Telegram Number Data of a part of the public opinion with his decisions he receives as a challenge, over which he must triumph not through arguments, as are the rules of the game in democracy, but through the violence of power and then the defeated must be humiliated to the end that never lift again. If we cannot hope that the Theater will be resurrected as it was, and where it was, if there is no use in mourning it discouraged as an irretrievable loss, then what are we to do? Return to kneel like prodigal sons before Baba (as he has already decreed himself)? No. There is a way for us to keep up and carry forward the spirit created by the cause of the Theatre.
We are talking about that part of this spirit, which goes beyond the protection of an object, even if it is of special cultural importance and historical symbolism, such as the National Theatre. Based especially on the fact that the resistance lasted more than two and a half years, going beyond any prediction of Prime Minister Rama, I would have said that the "Alliance for the Protection of the Theater", as a pillar of this resistance, has succeeded in planting in our society , especially in Tirana, the spirit of continuity in the disagreement with the bad government policy. In these thirty years we have never seen such a quality, which, if proved in the coming weeks and months, would undoubtedly mark a new, civilizing maturity of our public opinion.
Because that's how our Prime Minister is. Any disagreement Cambodia Telegram Number Data of a part of the public opinion with his decisions he receives as a challenge, over which he must triumph not through arguments, as are the rules of the game in democracy, but through the violence of power and then the defeated must be humiliated to the end that never lift again. If we cannot hope that the Theater will be resurrected as it was, and where it was, if there is no use in mourning it discouraged as an irretrievable loss, then what are we to do? Return to kneel like prodigal sons before Baba (as he has already decreed himself)? No. There is a way for us to keep up and carry forward the spirit created by the cause of the Theatre.
We are talking about that part of this spirit, which goes beyond the protection of an object, even if it is of special cultural importance and historical symbolism, such as the National Theatre. Based especially on the fact that the resistance lasted more than two and a half years, going beyond any prediction of Prime Minister Rama, I would have said that the "Alliance for the Protection of the Theater", as a pillar of this resistance, has succeeded in planting in our society , especially in Tirana, the spirit of continuity in the disagreement with the bad government policy. In these thirty years we have never seen such a quality, which, if proved in the coming weeks and months, would undoubtedly mark a new, civilizing maturity of our public opinion.